Script Ekred 2 is a bold, normal width, high contrast, italic, short x-height font.
Keywords: posters, branding, logotypes, packaging, headlines, energetic, confident, playful, retro, boldly casual, brush lettering, display impact, signature feel, expressiveness, brushy, slanted, swashy, rounded, dynamic.
A slanted, brush-pen script with chunky strokes and clear calligraphic modulation. Letterforms are compact and slightly compressed, with rounded shoulders, tapered terminals, and occasional wedge-like entry strokes that mimic a loaded brush. Connections are implied by stroke flow rather than strict continuous joining, giving the line a lively rhythm with noticeable bounce. Uppercase forms lean toward bold, looping silhouettes, while lowercase stays tight with short extenders and a compact x-height feel; counters remain open enough for display use.
Best suited to short, high-impact text such as posters, headlines, product names, and branding marks where its brush texture and slanted rhythm can carry the message. It works well for packaging callouts, event promotion, and social graphics that need an energetic handwritten voice. For longer passages, larger sizes and generous line spacing help maintain clarity.
The overall tone is upbeat and expressive, combining a hand-signed immediacy with a punchy, poster-ready presence. It reads as friendly and assertive rather than delicate, with a spirited, mid-century brush-script flavor. The dramatic slant and thick strokes add momentum and a sense of motion.
The design appears intended to capture the look of fast, confident brush lettering in a consistent, repeatable typeface. Its weighty forms and rhythmic slant prioritize personality and impact, aiming for a signature-like script that still performs reliably in display contexts.
Numerals are rounded and brushy with strong weight and angled stress, matching the letterforms’ dynamic cadence. Dots and small details (like the i/j dots) are compact and slightly teardrop-like, consistent with a brush tool. Spacing appears tuned for headline settings, where the heavy strokes and diagonals can breathe.