Sans Other Dinef 2 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logos, packaging, game ui, industrial, techno, stenciled, retro, mechanical, display impact, stencil motif, industrial feel, tech styling, signature texture, angular, faceted, modular, sharp, notched.
A faceted, angular display sans built from broad strokes with frequent diagonal cuts and triangular notches. Many counters and joins are formed by deliberate gaps or clipped corners, creating a stencil-like construction and a chiseled silhouette. Curves are largely polygonalized, with octagonal/hexagonal impressions in rounded letters, and terminals tend to end in sharp, slanted facets rather than smooth rounding. The rhythm is blocky and compact with strong black presence and distinctive internal cut-ins that remain visible in both caps and lowercase.
Best suited for display settings such as posters, headlines, brand marks, album/cover art, and packaging where a strong, industrial voice is desired. It can work well for game or tech-themed interfaces, signage-style graphics, and short emphatic messaging where the notched texture becomes a design feature.
The overall tone reads industrial and mechanical, with a techno/arcade edge reminiscent of cut metal, hazard markings, or modular signage. The repeated notches and segmented counters give it a purposeful, engineered feel that can skew futuristic or retro depending on context. Its assertive shapes project impact and attitude rather than neutrality.
The design appears intended to deliver a bold, engineered display sans with a signature stencil/cutout motif. By replacing smooth curves with faceted geometry and adding consistent internal notches, it creates a memorable texture and a high-impact silhouette for branding and title use.
The stencil-like breaks are used decoratively as well as structurally, so letters retain recognizable forms while gaining a consistent "assembled" look. In longer text, the internal cut shapes become a key texture element; generous spacing and larger sizes help keep the pattern from becoming visually busy.