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Sans Other Adnuy 3 is a very bold, normal width, monoline, upright, normal x-height font visually similar to 'Churchward Design' by BluHead Studio and 'Binary Groove' by Hipfonts (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, titles, playful, retro, chunky, friendly, quirky, impact, memorability, playfulness, retro flavor, display clarity, rounded, soft corners, geometric, compact, high contrast counters.


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A heavy, rounded sans with monoline strokes and broadly geometric construction. Letterforms rely on large, circular bowls and counters, with softened corners and compact apertures that create a dense, punchy texture. Several glyphs incorporate distinctive wedge-like cuts and notches (notably in characters such as Q, e, s, and some numerals), adding sharp accents within an otherwise smooth silhouette. Curves are prominent, terminals are generally blunt, and spacing reads tight and display-oriented for maximum impact.

Best used in short-form display settings such as headlines, posters, title cards, branding marks, and packaging where its chunky rhythm and quirky cut details can be appreciated. It can also work for punchy labels, event graphics, and playful UI moments when set large with generous line spacing.

The overall tone is upbeat and attention-grabbing, balancing softness from the rounded shapes with a mischievous edge from the cut-in notches. It evokes a retro display feel—fun and slightly eccentric—well suited to bold, personality-forward messaging.

The design appears intended to deliver a bold, friendly silhouette with built-in visual hooks—rounded geometry for approachability, plus distinctive notches for memorability. Its forms prioritize graphic impact and a recognizable voice over neutrality, making it a strong choice for expressive display typography.

The glyph set shows deliberate idiosyncrasies that help differentiate similar shapes (for example, the Q tail and the angled cuts in e/s/3/5/9), which enhances character at large sizes but also increases stylistic presence. Numerals share the same rounded mass and occasional incisions, keeping the set visually consistent for headline use.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸