Slab Contrasted Miza 2 is a regular weight, very narrow, very high contrast, upright, normal x-height font.
Keywords: headlines, posters, book jackets, mastheads, branding, industrial, dramatic, editorial, vintage, theatrical, space saving, high impact, display contrast, retro flavor, compressed, slab serif, inline, ink-trap, poster.
A highly compressed slab-serif design with an extreme thick–thin rhythm and tall, condensed proportions. Vertical stems dominate, while horizontals and diagonals collapse into hairline connections, creating a striking, skeletal structure inside otherwise heavy forms. Terminals and serifs read as squared, block-like slabs, and many joins show sharp notches that behave like ink-traps or cut-in inlines, emphasizing the contrast. Counters are tight and elongated, giving letters like O/C/G a narrow, vertical oval feel, and the overall texture alternates between dense black blocks and threadlike links.
Best suited to large-size display settings such as headlines, posters, covers, and mastheads where its compressed width and stark contrast can be showcased. It can work well in branding and packaging for a bold, retro-industrial voice, but is less appropriate for long passages at small sizes due to the delicate internal hairlines.
The tone is bold and theatrical, with a mechanical, display-first attitude that feels at home in vintage poster traditions. Its high-contrast compression adds drama and urgency, producing a slightly experimental, engineered look that stands out immediately in a line of type.
The design appears intended to maximize impact in narrow horizontal space while delivering a distinctive slab-serif presence. By pairing heavy slab terminals with hairline links and carved joins, it aims for an attention-grabbing, high-drama display texture rather than quiet, utilitarian reading.
Because the hairline connectors and tight apertures are integral to the design, the font reads best when given enough size and spacing; at small sizes the fine internal strokes may visually weaken. In continuous text, the dense slab terminals create a strong staccato rhythm, while in headlines the verticality and contrast become the main stylistic signature.