Sans Other Uhfu 1 is a light, narrow, monoline, italic, normal x-height font visually similar to 'Pcast' by Jipatype (names referenced only for comparison).
Keywords: headlines, posters, logos, gaming, sports branding, techno, futuristic, sporty, aerospace, sci-fi, speed, tech styling, branding, display impact, system consistency, angular, chiseled, oblique, octagonal, sharp.
A sharply constructed sans with an oblique stance and crisp, angular joins. Curves are largely replaced by beveled corners and straight segments, producing octagonal counters in letters like O and C and a consistently faceted silhouette across the set. Strokes keep a consistent thickness, with squared terminals and a slightly mechanical rhythm; diagonals are prominent in A, K, M, N, V, W, and X, reinforcing a fast, forward-leaning texture. Numerals echo the same geometry with straight-sided forms and clipped corners, maintaining uniformity between text and figures.
Best suited to headlines, short UI labels, and graphic applications where its angular structure can carry the voice of the design. It works well for technology-leaning branding, gaming titles, sports or motorsport graphics, and futuristic packaging or event materials, especially at medium to large sizes where the faceted details stay crisp.
The overall tone feels technical and speed-oriented, with a distinctly sci‑fi/industrial flavor. Its faceted construction and slanted momentum suggest engineered surfaces, instrumentation, and performance branding rather than neutral everyday text.
The font appears designed to translate a streamlined, engineered aesthetic into a readable sans by substituting rounded strokes with chamfered, geometric construction and adding forward motion through an oblique posture. Consistent corner treatments across letters and numerals suggest an intention to keep a unified, system-like look for display typography.
The design relies on repeated beveled motifs at corners and terminals, giving lines of text a segmented, modular cadence. Uppercase forms read especially bold in silhouette thanks to the squared, cut-corner structure, while lowercase maintains the same angular logic for a cohesive system.