Sans Superellipse Vufa 8 is a regular weight, very wide, monoline, upright, tall x-height font.
Keywords: ui, headlines, branding, signage, packaging, futuristic, tech, clean, sleek, precise, tech identity, interface clarity, modern geometry, distinct silhouettes, rounded corners, squared rounds, geometric, modular, extended width.
This typeface is built from squared, superelliptical curves and straight segments, producing rounded-rectangle counters and soft-cornered terminals throughout. Strokes are consistently even, with open apertures and simplified joins that keep forms crisp at a distance. Proportions run notably extended, giving letters a wide footprint and a steady horizontal rhythm; lowercase forms sit on a high x-height with compact extenders, maintaining a dense, utilitarian texture in text. Figures and capitals share the same rounded-rect geometry, reinforcing a cohesive, modular construction.
This font suits interface typography, dashboards, and on-screen labeling where a contemporary, technical voice is needed. Its extended proportions and distinctive rounded-rectangle shapes also make it effective for headlines, logos, and product branding, and it can work well in signage or packaging where quick recognition and a modern tone are priorities.
The overall tone feels futuristic and engineered, with a confident, instrument-panel clarity. Its rounded-tech geometry reads modern and efficient rather than expressive or calligraphic, suggesting digital interfaces, hardware labeling, and contemporary product aesthetics.
The design intent appears to be a modern geometric sans that emphasizes superelliptical, rounded-rectangle construction for a recognizable tech-forward identity, while maintaining straightforward letterforms and consistent stroke behavior for clear reading in short text and display settings.
Rounded corners are pronounced but controlled, creating a softened rectangle look instead of purely circular bowls. Diagonals (such as in K, V, W, X, Y, Z) stay sharp and angular against the otherwise rounded system, adding contrast without breaking the family’s geometric logic. Spacing in the samples appears generous enough to preserve character separation even with the wide silhouettes.