Sans Normal Seneg 2 is a regular weight, normal width, low contrast, upright, normal x-height font visually similar to '210 Gulim' by Design210, Korean Fonts; 'Mitram' by JAM Type Design; 'Tenorite' by Microsoft Corporation; 'Clear Sans Text' by Positype; and 'TT Commons™️ Pro' by TypeType (names referenced only for comparison).
Keywords: ui text, mobile apps, websites, signage, presentations, modern, friendly, neutral, clean, utilitarian, everyday legibility, modern neutrality, approachable clarity, system-like consistency, rounded, open, monoline, humanist, soft terminals.
This is a clean, monoline sans with gently rounded curves and softened terminals that keep the overall color even. Uppercase forms are straightforward and geometric-leaning, while the lowercase introduces mild humanist shaping, especially in the bowls and shoulders. Counters are open and fairly generous, and joins remain smooth without sharp modulation. Numerals follow the same calm, rounded construction and sit comfortably with the text, maintaining consistent stroke rhythm across the set.
It performs well for UI and product copy where clarity and a neutral voice are important, and it also suits dashboards, wayfinding, and instructional materials thanks to its open counters and steady stroke. The rounded finish makes it comfortable for consumer-facing branding systems, presentations, and editorial sidebars where a modern, friendly sans is desired.
The tone is contemporary and approachable, balancing neutrality with a subtle warmth from its rounded detailing. It reads as practical and unobtrusive, suitable for interfaces and everyday communication rather than high-drama branding. Overall it feels friendly, clear, and quietly modern.
The design appears intended as a general-purpose sans for contemporary digital and print use, prioritizing straightforward letterforms, open shapes, and a smooth, consistent rhythm. The slight softness at terminals suggests an aim to keep the tone approachable while remaining highly functional.
In text, the spacing and proportions produce an even, steady rhythm with good separation between similar shapes. Curved letters maintain consistent roundness, and diagonals stay crisp without becoming aggressive, reinforcing a composed, legible texture at display and reading sizes.