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Free for Commercial Use

Sans Superellipse Nari 1 is a bold, narrow, medium contrast, upright, normal x-height font visually similar to 'Aldo Pro' and 'Aldo Pro Round' by Sacha Rein (names referenced only for comparison).

Keywords: headlines, posters, logos, packaging, signage, retro, friendly, playful, industrial, display, impact, space saving, brand voice, geometric warmth, retro modern, rounded, monoline, soft corners, condensed, compact.


Free for commercial use
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This typeface uses a compact, condensed skeleton built from rounded-rectangle and superellipse shapes. Strokes are heavy and largely monoline, with softened terminals and consistently rounded corners that keep counters open despite the dense weight. Curves feel engineered rather than calligraphic, and the overall rhythm is tight, with short crossbars, squared bowls, and minimal modulation. Figures and letters share the same rounded, blocky construction, producing a cohesive, logo-like texture in text.

Best suited to headlines, branding, packaging, and signage where a compact width and bold presence help text stand out. It also works well for short UI labels or wayfinding-style messaging at larger sizes, particularly when a friendly geometric voice is needed.

The tone is upbeat and approachable, with a distinctly retro-futurist and slightly industrial character. Its softened geometry reads friendly rather than severe, while the condensed heft adds confidence and a poster-like punch. The overall feel suggests mid-century display typography updated with clean, modern rounding.

The design appears intended to merge condensed efficiency with soft geometric warmth, delivering high-impact display readability without sharp edges. Its consistent superelliptical construction suggests a focus on a distinctive, repeatable shape language for brand systems and attention-grabbing typography.

In running text the strong vertical emphasis and uniform stroke weight create a dark, even color. The rounded corners and rectangular counters help maintain clarity at larger sizes, while the compact proportions make it especially effective where space is limited and impact is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸