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Free for Commercial Use

Sans Contrasted Obhy 9 is a regular weight, normal width, high contrast, upright, normal x-height font visually similar to 'Grimora Neue' by Black Studio (names referenced only for comparison).

Keywords: book text, editorial, magazine, branding, packaging, refined, classic, formal, literary, editorial readability, classical tone, refined display, heritage feel, calligraphic stress, flared terminals, sharp apexes, open counters, bracketed joins.


Free for commercial use
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This typeface shows pronounced calligraphic stroke modulation with a vertical stress and crisp, flared terminals. Letterforms are built from tapered strokes that widen into wedge-like ends, giving the shapes a carved, chiseled feel while remaining clean and uncluttered. Capitals are stately and relatively narrow with sharp apexes (notably in A and V) and controlled curves; the lowercase is compact and readable with open counters and clear differentiation between similar forms. Numerals follow the same high-contrast logic, with elegant curves and pointed entry/exit strokes that keep the rhythm consistent across text.

It performs best in editorial contexts such as books, magazines, and long-form reading where its contrast and classical construction can contribute to an upscale texture. It can also work well for branding, packaging, and headlines that aim for a refined, heritage-leaning impression, especially when paired with ample spacing and clean layouts.

The overall tone is polished and bookish, balancing elegance with a slightly dramatic, classical edge. It feels suited to cultivated, authoritative communication—more ‘literary’ than ‘utilitarian’—with enough sharpness in the terminals to add sophistication and tension.

The design appears intended to deliver a classic, high-contrast reading experience with a contemporary cleanliness—capturing a traditional, calligraphy-informed rhythm while keeping forms disciplined for modern editorial typography.

In running text, the sharp terminals and contrast create a lively texture and strong vertical rhythm. The ampersand is decorative and prominent, and the question mark and numerals echo the same flared, calligraphic finishing, reinforcing a cohesive, editorial voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸