Shadow Imby 2 is a regular weight, normal width, high contrast, upright, normal x-height font.
Keywords: headlines, posters, logos, packaging, stickers, playful, retro, comic, bold, cheerful, dimension, attention, nostalgia, fun, signage, outlined, drop shadow, rounded, chunky, bubbly.
A rounded, heavy sans with open counters and a prominent outline that reads as hollowed letterforms rather than solid fills. A consistent offset shadow sits down and to the right, creating a dimensional, sticker-like effect and strong figure/ground separation. Strokes are smooth with softened corners and simplified terminals, and the overall construction favors broad curves and compact joins for a chunky, friendly rhythm. The shadow and outline maintain fairly even behavior across caps, lowercase, and numerals, supporting legibility at display sizes.
Best suited for display typography such as posters, headlines, event graphics, packaging, and logo wordmarks where the outline-and-shadow styling can be a feature rather than a distraction. It also works well for playful labels, badges, social graphics, and short editorial callouts that need immediate impact.
The font conveys a lighthearted, vintage-pop tone—like classic signage, cartoons, or mid-century packaging. Its outlined faces and cast shadow add energy and a sense of movement, making text feel upbeat and attention-seeking rather than formal.
The design appears intended to deliver a ready-made dimensional look without additional effects, combining hollowed outlines with a consistent drop shadow to mimic print-era sign lettering and playful advertising styles. It prioritizes strong silhouettes and a friendly, rounded construction to stay readable while projecting a bold, retro character.
Because the design relies on an outline plus offset shadow, it benefits from generous sizing and breathing room; tight tracking or small reproduction can cause the interior whitespace and shadow details to visually merge. The strong silhouette makes short words and headlines particularly effective, while long paragraphs may feel busy due to the constant dimensional effect.