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Free for Commercial Use

Serif Normal Armad 2 is a bold, normal width, high contrast, italic, normal x-height font visually similar to 'Bevenida' by Agny Hasya Studio (names referenced only for comparison).

Keywords: headlines, editorial, book jackets, magazines, pull quotes, formal, classic, authoritative, literary, emphasis, hierarchy, classic tone, display impact, editorial voice, bracketed, teardrop terminals, calligraphic, diagonal stress, lively rhythm.


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This typeface is a high-contrast serif italic with a pronounced diagonal axis and crisp thick-to-thin modulation. Serifs are bracketed and often sharpen into wedge-like or beaked forms, while many curves end in teardrop-like terminals that add sparkle at display sizes. The italic construction is energetic and slightly condensed in feel, with a steady rhythm and clear differentiation across capitals, lowercase, and figures. Numerals follow the same calligraphic contrast and angled stress, reading as sturdy and traditional rather than geometric.

It performs well in editorial environments where a strong italic is needed for hierarchy—headlines, standfirsts, pull quotes, and emphasized passages. The bold presence and high contrast also suit book jacket titling, cultural and literary branding, and magazine layouts where a classic serif voice with extra drama is desirable.

The overall tone is classic and formal, with an editorial gravity that feels rooted in traditional book and newspaper typography. Its lively italic gesture and sharp finishing details lend a confident, slightly dramatic voice suited to emphasis and headline settings.

The design appears intended as a conventional text-serif italic with elevated contrast and assertive weight, balancing classical proportions with decorative, calligraphic finishing. It aims to deliver emphasis and sophistication while remaining legible and consistent across letters and numerals.

Round letters (like C, G, O, Q) show strong internal shaping and angled entry/exit strokes, while diagonals (V, W, X, Y) are robust and sharply cut. The lowercase has a readable, conventional structure with expressive swashes kept in check, preserving clarity while maintaining a distinctly italic personality.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸