Sans Superellipse Venuf 6 is a light, very wide, monoline, upright, normal x-height font.
Keywords: ui design, tech branding, headlines, signage, posters, futuristic, technical, clean, sleek, space-age, modernization, geometric system, digital aesthetic, streamlined clarity, sci-fi tone, rounded corners, geometric, modular, squared-round, open apertures.
A geometric sans built from rounded-rectangle and superelliptic forms, with consistent stroke thickness and softly squared curves. Corners are broadly radiused and bowls tend toward squarish, producing a modular, engineered rhythm across the alphabet. Counters are generous and apertures stay fairly open, while diagonals and joins (notably in K, V, W, X, Y) are crisp and angular, creating a clear contrast between straight segments and rounded terminals. Numerals follow the same rounded-rect geometry, with a streamlined, horizontal emphasis that reinforces the wide stance.
Well-suited to interface typography, product labeling, and technology-forward branding where a sleek, engineered feel is desired. Its wide proportions and rounded-square geometry also work effectively for short headlines, display lines, and signage where clarity and a modern tone are priorities.
The overall tone feels futuristic and technical, with a calm, modern neutrality. Its rounded-square shapes evoke digital interfaces, instrumentation, and sci‑fi signage—precise and efficient rather than expressive or playful.
The design appears intended to translate superelliptic, rounded-rect geometry into a readable sans with a distinctly contemporary, digital-industrial character. It prioritizes consistency of curvature, clean joins, and a streamlined silhouette that reads as modern and tech-oriented.
Lowercase forms maintain a simplified, contemporary construction with minimal modulation and tidy terminals; the single-story ‘a’ and the compact, squared ‘o’ help keep the texture consistent in text. The design favors smooth, continuous outlines and avoids sharp interior corners, lending an aerodynamic finish even in dense lines of copy.