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Free for Commercial Use

Stencil Efba 8 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'Araboto' by FarahatDesign, 'Applied Sans' by Monotype, and 'Core Sans E' by S-Core (names referenced only for comparison).

Keywords: posters, headlines, signage, packaging, logos, industrial, military, utility, tough, retro, stencil marking, strong impact, rugged utility, retro signage, blocky, rounded, high-impact, segmented, poster-ready.


Free for commercial use
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A heavy, block-based sans with soft corners and prominent stencil breaks throughout the alphabet and figures. Strokes are monolinear and dense, with generous internal counters where forms allow, and a consistent system of bridges that slice bowls and joins into bold segments. The overall geometry leans geometric and straightforward rather than calligraphic, with compact apertures and sturdy terminals that keep shapes readable at large sizes. Figures and caps carry the same segmented logic, producing a cohesive, high-contrast-in-shape look despite the uniform stroke weight.

This face works best for display settings where its bold mass and stencil detailing can be appreciated—posters, titles, branding marks, packaging, and signage with an industrial or tactical flavor. It can also add character to short text bursts such as labels, badges, and product names, where the segmented forms contribute to a memorable typographic texture.

The font projects an industrial, no-nonsense tone—evoking shipping crates, equipment labeling, and utilitarian signage. Its chunky forms and repeated stencil cuts add a rugged, engineered character that feels practical and assertive, with a slightly vintage/retro edge.

The design appears intended to deliver a robust stencil style that reads quickly and holds up under reproduction constraints, while adding visual interest through consistent bridges and softened corners. It prioritizes impact and recognizability over neutrality, aiming for a practical, marked, and industrial voice.

Stencil gaps are large and visually intentional, creating strong rhythmic patterning in text lines and a distinctive texture in headlines. The rounded corners soften the otherwise hard-edged construction, helping the dense weight feel more approachable without losing its functional, marked-up aesthetic.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸