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Pixel Dash Abwe 5 is a regular weight, very wide, very high contrast, upright, normal x-height font.

Keywords: posters, headlines, logotypes, packaging, album covers, retro tech, glitchy, industrial, sci‑fi, kinetic, scanline effect, attention grabbing, stylized serif, texture display, retro futurism, striped, stencil-like, segmented, decorative, display.


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A bold, display-oriented serif with pronounced slab-like terminals and a horizontally segmented construction. Each letterform is built from stacked dash bands that create cut-in voids across stems, bowls, and crossbars, producing a strong striped rhythm and sharp figure/ground interplay. Proportions read broad and stable, with sturdy verticals and compact interior counters that remain recognizable despite the repeated breaks. The overall texture is consistent across uppercase, lowercase, and numerals, giving text a distinctive banded color and a slightly vibrating edge at small sizes.

Best suited to headlines, posters, branding marks, and short punchy phrases where the scanline texture can read clearly. It can also work for packaging, album artwork, and event graphics that want a retro-digital or industrial flavor; for body copy, the strong banding is more effective in limited doses or at larger sizes.

The repeated horizontal dashes evoke scanlines, old printing artifacts, and digital interference, lending a retro-tech and slightly glitchy tone. Its assertive slabs and engineered rhythm also suggest industrial signage and sci‑fi interfaces, with a sense of motion and mechanical energy even when set static.

The design appears intended to merge a sturdy slab-serif silhouette with a systematic horizontal slicing effect, turning familiar letterforms into a graphic pattern. The goal is less about neutrality and more about creating a distinctive, high-impact texture that signals tech, motion, and stylized reproduction.

In longer lines, the stripe pattern becomes a dominant texture, creating a dark-and-light pulse across words; spacing and shapes remain legible but the effect is intentionally attention-grabbing. Numerals and capitals carry the strongest graphic presence, while the lowercase keeps the same segmented logic for cohesive mixed-case setting.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸