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Serif Normal Atne 5 is a bold, normal width, high contrast, italic, normal x-height font visually similar to 'Bevenida' by Agny Hasya Studio (names referenced only for comparison).

Keywords: editorial, headlines, magazines, book covers, pull quotes, classic, dramatic, elegant, bookish, italic emphasis, editorial voice, classic refinement, hierarchy clarity, bracketed serifs, calligraphic, wedge terminals, ball terminals, oblique stress.


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A high-contrast italic serif with sharply tapered hairlines and fuller verticals, showing a distinctly calligraphic construction. Serifs are bracketed and often wedge-like, with lively entry/exit strokes and occasional ball terminals that add sparkle at joins and endings. The italic angle is pronounced, giving the forms a forward, energetic rhythm; curves are smooth and slightly swelling, and spacing feels moderately open while sidebearings vary with the glyph shapes, producing a natural, text-like cadence. Uppercase proportions read traditional and slightly condensed in feel, while the lowercase maintains a steady x-height and a crisp, polished silhouette.

This style performs especially well in editorial settings such as magazine headlines, subheads, and pull quotes where contrast and italic emphasis can carry tone. It also fits book-cover titling and branded typography that wants a classic serif voice with added dynamism. In longer passages it will read best when used selectively (for emphasis or short blocks) rather than as the sole text face, due to the strong contrast and assertive slant.

The overall tone is classic and editorial, combining refinement with a confident, dramatic slant. It suggests literary or journalistic tradition, with enough flourish to feel expressive without becoming ornamental. The strong contrast and brisk italic motion give it a poised, emphatic voice suited to highlighting or storytelling.

The design appears intended to deliver a conventional text-serif foundation with heightened italic expression—balancing tradition, clarity, and a sense of crafted pen-like movement. Its details aim to provide elegance and emphasis for typographic hierarchy while keeping forms disciplined enough for editorial composition.

In the sample text, the italic forms maintain consistent stroke logic across sizes, with clean, pointed apexes and well-controlled counters that keep the texture from collapsing. Numerals match the italic energy and contrast, appearing tailored to sit comfortably alongside the letterforms rather than as separate display figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸