Sans Other Uhba 11 is a very light, normal width, low contrast, italic, normal x-height, monospaced font.
Keywords: code snippets, ui labels, technical docs, data tables, captions, minimal, technical, airy, precise, contemporary, monospaced clarity, modern utility, space efficiency, quiet emphasis, linear, geometric, open apertures, rounded corners, slanted.
A very light, slanted monoline sans with a clearly monospaced rhythm and generous internal space. Strokes are thin and consistent, with softly rounded turns and open, simplified counters that keep forms legible despite the delicate weight. Capitals mix straight-sided structures with gentle curves (notably in C, G, O, Q), while the lowercase follows a restrained, single-storey construction where applicable, maintaining even set-widths and a steady cadence. Numerals are similarly linear and airy, with the slant and uniform spacing giving text a tidy, engineered texture.
Best suited for settings where fixed-width alignment is valuable, such as code samples, terminal-like UI, configuration screens, and tabular data. The light stroke also works well for small interface labels and captions in spacious layouts, where a quiet, precise typographic color is desired.
The overall tone feels understated and modern—more technical than expressive—suggesting a clean, instrument-like voice. Its thin lines and consistent spacing read as precise and orderly, with a light, refined presence that avoids heaviness or ornament.
The design appears intended to provide a monospaced, slanted sans option with a minimal, contemporary feel—balancing strict spacing discipline with softened geometry for a smoother reading texture. Its emphasis is on clarity and alignment rather than decoration, offering a refined voice for technical and interface-oriented typography.
The slant is moderate and consistent across letters and figures, helping differentiate the face from upright monospaced designs while preserving a disciplined grid-like flow. Curves are drawn with a smooth, minimal geometry, and terminals tend to be clean and unembellished, reinforcing the stripped-down aesthetic.