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Free for Commercial Use

Inverted Igju 1 is a very bold, very narrow, high contrast, upright, tall x-height font.

Keywords: posters, headlines, album covers, stickers, event flyers, industrial, grunge, punk, noisy, diy, graphic impact, stencil look, anti-polish, texture, stenciled, distressed, condensed, blocky, cutout.


Free for commercial use
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A tall, condensed display face built from solid vertical blocks that act like glyph containers, with the letterforms appearing as irregular cut-outs inside. Strokes are simplified and chunky, while counters and terminals are jagged and uneven, producing a rough, hand-processed edge. The design relies on strong figure/ground inversion: the surrounding rectangular fields dominate the silhouette, and the interior letter shapes read as knocked-out forms. Spacing is rhythmic but tightly packed, with narrow set widths and occasional unevenness that reinforces the distressed construction.

Best suited for large-scale display applications where texture and impact matter more than fine readability—posters, headlines, album/mixtape artwork, skate or streetwear graphics, and punchy event flyers. It can also work as a short-word branding accent or label-style typography when you want a stamped or stenciled feel.

The font conveys a raw, confrontational tone with an industrial, street-level attitude. Its distressed cut-out look suggests photocopies, spray stencils, or worn signage, giving it a gritty, rebellious energy. The heavy black presence also adds a poster-like urgency and high visual impact.

The design appears intended to fuse condensed, sign-like proportions with an inverted, cut-out construction that turns each character into a bold graphic unit. The distressed inner contours seem purposeful, aiming for a gritty stencil/photocopy aesthetic and strong shelf impact in display settings.

Because the rectangular backing shapes are integral to each glyph, the texture remains consistent across uppercase, lowercase, and numerals, and the overall line becomes a repeating sequence of dark tiles. The irregular inner edges create intentional noise that reads as character at large sizes but can reduce clarity at smaller sizes or in dense text.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸