Print Venim 16 is a regular weight, very narrow, medium contrast, upright, short x-height font.
Keywords: invitations, greeting cards, children’s books, packaging, posters, playful, casual, whimsical, friendly, handmade, handwritten feel, approachability, playfulness, everyday notes, informal display, rounded, monoline, bouncy, quirky, loose.
A casual, hand-drawn print face with rounded, pen-like strokes and gently uneven contours. Letters are upright with a lively, slightly bouncy baseline rhythm and modest stroke modulation that suggests natural pressure changes rather than strict calligraphy. Terminals tend to be soft and tapered, bowls are open and simplified, and curves wobble subtly in a way that reinforces the handmade feel. Spacing and widths vary from glyph to glyph, and the lowercase shows compact bodies with relatively short ascenders and descenders, keeping the overall texture light and airy.
This font works well for short to medium-length display text where a friendly, handmade voice is desirable—greeting cards, invitations, classroom materials, craft packaging, and playful posters. It can also support headings or pull quotes in editorial layouts when paired with a neutral text face, especially where an informal, personal tone is needed.
The overall tone is warm and informal, with an approachable, kid-friendly energy. Its quirks and small inconsistencies read as personable and creative, evoking doodles, notes, and craft lettering rather than polished signage. The effect is cheerful and conversational, suited to messages meant to feel human and relaxed.
The design appears intended to mimic quick, confident hand-printing with a clean, legible skeleton while preserving natural variation in stroke and spacing. Its goal is to deliver a personable, approachable texture that feels drawn rather than typeset, making everyday messaging feel more casual and human.
Distinctive, simplified shapes in characters like g, j, and y add personality, while the numerals follow the same loose, drawn rhythm and rounded finishing. The font’s thin-to-moderate strokes and open counters keep it from feeling heavy, and it performs best when the organic irregularity is allowed to show rather than forced into rigid alignment.