Sans Other Urhy 3 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: display, headlines, ui labels, posters, branding, futuristic, tech, digital, modular, minimal, sci‑fi voice, digital display, systematic modularity, experimental legibility, segmented, geometric, rounded corners, open forms, stencil-like.
A geometric, segmented sans built from short horizontal and vertical strokes with consistent thin weight and rounded terminals. Letterforms are largely rectangular and open, with many counters implied through gaps rather than closed outlines, creating a modular, almost stencil-like construction. Curves are minimized; diagonals appear sparingly and feel engineered rather than calligraphic. Spacing and widths vary by glyph, producing an uneven but intentionally schematic rhythm that reads like a system of parts rather than continuous outlines.
Best suited to display settings where its segmented construction can be appreciated—headlines, posters, UI labels, tech-themed branding, and titles for games or speculative-fiction media. It works particularly well when paired with ample tracking and clean layouts that reinforce its modular, engineered look.
The overall tone is clinical and futuristic, evoking digital readouts, interface labeling, and sci‑fi instrumentation. Its broken strokes and open shapes give it a coded, technical personality—more about signal and structure than warmth or tradition.
The design appears intended to reinterpret a neutral sans through a modular, segmented logic reminiscent of digital signage and schematic lettering. By relying on implied shapes and repeated stroke modules, it aims to deliver a distinctive, high-tech voice while maintaining a consistent, system-driven visual language.
In running text the fragmented joins and missing segments become the defining texture, creating a dotted, ladder-like pattern along baselines and x-heights. Similar constructions across multiple glyphs increase stylistic cohesion, but the open counters and unconventional joins can make certain characters feel intentionally cryptic at smaller sizes.