Sans Superellipse Umky 6 is a bold, very wide, monoline, upright, tall x-height font.
Keywords: display, headlines, branding, posters, ui titles, futuristic, tech, industrial, retro, tech aesthetic, modular system, display impact, geometric clarity, rounded corners, square-leaning, modular, geometric, extended.
A geometric sans with a squared-off, superellipse construction: bowls and counters are based on rounded rectangles rather than true circles. Strokes stay even throughout, with softened corners and mostly horizontal/vertical terminals, producing a clean, machined rhythm. The proportions feel expanded and low-contrast, with broad letterforms, open apertures, and a consistently tall lowercase that keeps lines visually dense and steady. Curves are minimal and controlled; diagonals (as in V, W, Y, Z) are straight and crisp, while round letters like O/Q remain boxy with generous rounding.
Best suited to display settings where its wide, constructed shapes can define a strong voice—headlines, posters, logos, packaging, and tech-forward branding. It can also work for short UI titles, dashboards, and interface headers where a futuristic, geometric tone is desired; for long passages, the dense width and stylized curves will be most effective at larger sizes with generous spacing.
The overall tone is futuristic and utilitarian, evoking digital interfaces, sci‑fi titling, and engineered product design. Its wide stance and squared curves give it a confident, synthetic character that reads as modern with a subtle retro-tech flavor.
The design appears intended to deliver a cohesive, modular sans built from rounded-rectangle geometry, prioritizing a contemporary tech aesthetic and strong impact in display typography. Its consistent stroke weight and softened corners suggest an aim for clarity and a polished, manufactured feel across letters and numbers.
Distinctive rounded-rectangle forms make C/G/S feel more like softened rectangles than arcs, and the numerals follow the same modular logic (notably the segmented-looking 2/3/5 and the boxy 0/8/9). The design maintains strong consistency across caps, lowercase, and figures, prioritizing a uniform, constructed silhouette over calligraphic nuance.