Print Wumud 1 is a regular weight, very narrow, high contrast, italic, very short x-height font.
Keywords: invitations, headlines, packaging, logos, greeting cards, elegant, whimsical, romantic, vintage, expressive, handwritten charm, decorative display, signature feel, boutique branding, calligraphic, flourished, loopy, delicate, swashy.
A slanted, calligraphic print face with high-contrast strokes that alternate between hairline connections and darker, brush-like downstrokes. Capitals are tall and decorative, often featuring looped entries, tapered terminals, and occasional enclosed swashes that create distinctive silhouettes. Lowercase letters are compact with a notably short x-height and a lively baseline rhythm, using narrow counters and quick, gestural joins within letters rather than true cursive connections between them. Numerals follow the same hand-drawn logic, with angled strokes, tapered ends, and slightly varied widths that reinforce an organic, written feel.
Best suited to short display settings such as invitations, event materials, greeting cards, product packaging, and logo or wordmark concepts where the ornate capitals can shine. It can work for brief headlines or pull quotes, but the delicate hairlines and compact lowercase are more effective at larger sizes than in dense text.
The overall tone is refined yet playful—suggesting invitations, boutique branding, and a lightly theatrical vintage charm. Its flourished capitals and hairline turns add a sense of ceremony and personality, while the informal construction keeps it approachable rather than formal-script strict.
The font appears designed to mimic a quick, stylish handwritten signature with calligraphic contrast and decorative uppercase swashes. The intent is to provide an expressive, boutique-friendly display voice that feels personal and crafted while remaining clearly legible as printed letterforms.
The design leans heavily on distinctive uppercase forms for character, with some letters showing dramatic internal loops and prominent entry/exit strokes that can become focal points in a word. Stroke modulation is visually intentional, so spacing and readability feel best when the font is given room to breathe rather than packed tightly.