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Free for Commercial Use

Slab Contrasted Gido 4 is a very bold, normal width, medium contrast, italic, normal x-height font visually similar to 'Artegra Slab' by Artegra, 'Kondolar' by Cadson Demak, 'ITC Officina Serif' by ITC, 'Gonia' by Typogama, and 'Grifa Slab' by deFharo (names referenced only for comparison).

Keywords: posters, headlines, sports branding, packaging, editorial display, sporty, assertive, retro, punchy, playful, attention grabbing, retro athletic, bold emphasis, display clarity, slabbed, blocky, ink-trap, bracketed, compressed.


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A very heavy, right-leaning slab serif with compact proportions and prominent, block-like serifs that read as sturdy wedges at the ends of strokes. The design shows noticeable modulation between thick main strokes and thinner joins, with tight inner counters and slightly squared, chamfered corners that keep the silhouette crisp. Curves are broadly rounded but controlled, while terminals and serifs feel cut-in and angular, creating a high-impact rhythm in text. Figures and capitals maintain consistent weight and stance, with simplified forms that prioritize bold presence over delicacy.

Well suited to headlines, posters, and promotional graphics where bold, slanted letterforms need to grab attention quickly. It fits sports branding, event collateral, and packaging that benefits from a retro-inspired, high-impact display voice, and can work for short editorial pull quotes when given ample space.

The tone is energetic and forceful, combining a vintage athletic feel with a headline-ready confidence. Its strong slabbing and forward slant give it a competitive, poster-like attitude that can also read as friendly and approachable when used with generous spacing.

The design appears intended as a bold display slab with an italicized drive, balancing sturdy, slabbed structure with enough contrast and curvature to keep the forms lively. It aims to deliver immediate impact and a confident, energetic personality for branding and headline typography.

In continuous text the dense color and tight apertures create a compact texture; it performs best when set large or with increased tracking and line spacing. The italic angle is consistent across cases, helping maintain a unified flow in emphasis-heavy compositions.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸