Sans Superellipse Vakeg 1 is a regular weight, very wide, low contrast, upright, normal x-height font visually similar to 'Gemsbuck 01' and 'Gemsbuck Pro' by Studio Fat Cat (names referenced only for comparison).
Keywords: ui design, app branding, headlines, signage, packaging, tech, futuristic, clean, modular, geometric, modernize, systemize, brand voice, interface clarity, geometric unity, rounded, rectilinear, monoline, squared, smooth.
A geometric sans with monoline strokes and a distinctly squared, rounded-corner construction. Curves resolve into softened rectangles and superelliptical bowls, creating a consistent, modular rhythm across letters and numerals. Terminals tend to be flat or gently rounded, counters are open and squarish, and diagonals (e.g., in A, V, W, X, Y) remain crisp against the otherwise softened geometry. The overall spacing feels generous, with wide letterforms and steady baseline alignment that keeps text looking even and orderly.
This font is well suited to interface typography, dashboards, and product UI where a clean, modern voice is needed. Its broad, rounded geometry also works well for headlines, logos, and wayfinding/signage, especially at medium to large sizes where the distinctive superelliptical shapes can define a brand. It can perform in short text blocks, but its strongest impact is in display and navigational contexts.
The rounded-rectangle geometry and steady stroke weight give the face a contemporary, tech-forward tone. It reads as efficient and engineered—friendly enough due to the softened corners, but still distinctly modern and synthetic. The result suggests digital interfaces, product design, and sci‑fi or esports branding without becoming overly decorative.
The design appears intended to deliver a contemporary, engineered sans that feels built from rounded rectangles for maximum cohesion. Its consistent stroke weight and softened corners suggest an emphasis on clarity and modernity, with a distinctive geometric signature that remains readable in practical applications.
The lowercase adopts single-storey forms where applicable, reinforcing the geometric feel and keeping silhouettes simple and bold. Numerals follow the same rounded-rectilinear logic (notably 0 and 8), and the overall system appears tightly unified, as if built from shared modules and radii.