Sans Superellipse Fogoj 5 is a very bold, wide, low contrast, italic, normal x-height font visually similar to 'Black Square' and 'Kabyta' by Agny Hasya Studio, 'FX Ambasans' by Differentialtype, 'Olney' by Philatype, and 'Sweet Square' and 'Sweet Square Pro' by Sweet (names referenced only for comparison).
Keywords: headlines, sports branding, posters, logos, gaming ui, sporty, futuristic, energetic, assertive, techy, speed, impact, modernity, branding, display, oblique, rounded, squared, compact, punchy.
A heavy, oblique sans with rounded-rectangle construction and broad, padded corners that keep curves feeling engineered rather than calligraphic. Strokes are uniformly thick with minimal modulation, and many joins terminate in soft, squared ends that reinforce a superelliptical geometry. Counters are tight and apertures tend to be narrowed, producing dense silhouettes and a strong, forward-leaning rhythm. The numerals follow the same squared-round logic, with the 0 reading as a rounded rectangle and other figures built from clipped diagonals and sturdy horizontals.
Best suited to display roles where impact matters: headlines, team or event branding, punchy poster type, and logo/wordmark work that wants a streamlined, high-speed look. It can also work for short UI labels in gaming or tech contexts when set with sufficient size and spacing.
The overall tone is fast, forceful, and contemporary—more motorsport and performance branding than neutral text. Its slanted stance and compact internal space give it an urgent, action-oriented feel, while the rounded corners keep the aggression controlled and modern.
Likely designed to deliver a bold, streamlined identity with a distinctly forward motion, using rounded-rectangle construction to balance toughness with a polished, contemporary finish.
Spacing appears intentionally tight and the forms favor sturdy horizontals and diagonals, which makes short words and all-caps settings especially impactful. At smaller sizes the closed counters and condensed openings can reduce clarity, but at display sizes the geometry reads clean and cohesive.