Outline Mike 2 is a very light, very wide, monoline, upright, normal x-height font.
Keywords: headlines, logotypes, posters, packaging, ui titles, futuristic, tech, neon, retro, display impact, tech aesthetic, neon sign, retro future, rounded, geometric, outline, inline, modular.
A rounded, geometric outline design built from uniform linework with a consistent double-contour feel created by an inner inline. Forms favor soft corners, broad curves, and flattened terminals, producing a clean, engineered rhythm. Counters are generously open and many joins are simplified into smooth, tube-like turns; diagonals (notably in V/W/X) remain crisp but keep rounded transitions. The overall impression is airy and schematic, with generous sidebearing feel and a streamlined, modular construction across letters and numerals.
Well suited to headlines, logotypes, and short display lines where the outline construction can remain legible and graphic. It can work effectively for posters, packaging, event branding, and UI/title treatments that aim for a technological or retro-futurist tone, especially when paired with solid fills or high-contrast backgrounds.
The font reads as futuristic and display-oriented, evoking sci‑fi interfaces, neon tubing, and late‑70s/early‑80s techno graphics. Its open outline structure feels sleek and synthetic, with a playful retro-future flavor that stays controlled rather than decorative.
The design appears intended to deliver a lightweight, high-impact display voice through a tubular outline system—prioritizing a distinctive silhouette and consistent geometric styling over text-density. The repeated rounded corners and inner channel suggest a deliberate effort to mimic illuminated tubing or schematic lettering while maintaining a tidy, modern structure.
The inline/outline pairing creates a clear double-stroke silhouette that holds together best at medium to large sizes, where the interior channel remains distinct. Round characters (O, Q, 0, 8) emphasize the tubular motif, while squared horizontals and verticals in E/F/T provide a stable, grid-like backbone.