Script Bimag 7 is a regular weight, very narrow, high contrast, upright, short x-height font.
Keywords: invitations, branding, packaging, headlines, greeting cards, elegant, whimsical, handmade, refined, vintage, calligraphic feel, personal tone, display elegance, brand charm, looping, calligraphic, monoline-to-contrast, tall ascenders, long descenders.
This font presents a flowing, handwritten script with a mostly upright stance and a noticeably narrow, tall overall proportion. Strokes show pronounced thick–thin modulation, with crisp hairlines and heavier verticals that give letters a calligraphic, pen-drawn rhythm. Capitals are stylized and slightly ornamental, while lowercase forms use compact bowls, frequent loops, and extended ascenders/descenders that create an airy vertical texture. Connection behavior appears mixed: many letters read as script-like and cohesive in words, but with occasional discrete joins and clear letter boundaries that preserve legibility.
It suits short-to-medium display settings such as invitations, event materials, boutique branding, product packaging, and greeting cards where a refined handwritten voice is desirable. It is especially effective for titles, names, and emphasized phrases, and can work in brief text blocks when given generous line spacing.
The tone is polished yet personable—formal enough for invitations, but still playful due to its bouncy loops and handwritten irregularities. It evokes a classic, boutique feel with a light touch of whimsy rather than strict traditional copperplate formality.
The design appears intended to emulate a neat, calligraphic handwriting style with strong contrast and narrow proportions, balancing elegance with approachability. Its embellished capitals and looped lowercase suggest a focus on expressive word shapes and a premium, crafted impression in display use.
Numerals echo the same contrast and narrow build, with a distinctive, curving ‘2’ and a looped ‘3’ that lean decorative. The texture in running text alternates between dark vertical accents and fine connecting strokes, so spacing and line height matter to avoid collisions between tall ascenders and deep descenders.