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Sans Superellipse Otleg 4 is a bold, normal width, monoline, upright, normal x-height font visually similar to 'Pierce Jameson' by Grezline Studio, 'Golden Record' by Mans Greback, and 'Forgotten Futurist' by Typodermic (names referenced only for comparison).

Keywords: headlines, posters, ui labels, signage, branding, modern, technical, confident, friendly, utilitarian, modern branding, systematic geometry, high impact, clear numerals, rounded corners, squared bowls, compact, high contrast counters, blocky terminals.


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A heavy, geometric sans with a squared-off, superellipse construction: curves resolve into rounded rectangles and corners stay consistently softened rather than fully circular. Strokes are broadly even, with sturdy verticals and horizontal cuts that create compact apertures and firm, block-like silhouettes. Uppercase forms are wide and stable (notably the squared C/G/O family), while lowercase keeps a straightforward, single-storey feel where applicable, with simple stems and minimal modulation. Numerals follow the same rounded-rectangle logic, producing dense, highly legible figures with clear differentiation at display sizes.

Best suited for headlines, product branding, and punchy short text where its dense shapes and rounded-rect geometry can read cleanly. It also works well for UI labels, wayfinding, and packaging where a modern, sturdy sans with strong figure forms is helpful.

The overall tone is contemporary and pragmatic, mixing friendliness from the rounded corners with a no-nonsense, engineered presence. It reads as confident and functional, leaning toward a tech or industrial voice rather than a classic humanist warmth.

Likely intended as a contemporary geometric workhorse with a distinctive rounded-rectangle skeleton—designed to look robust, systematized, and highly readable at larger sizes while keeping a friendly edge through softened corners.

Spacing and rhythm feel tight and efficient, and the design maintains a consistent corner radius across letters and numerals, which reinforces a cohesive system-like look. Several shapes favor closed or semi-closed counters and short apertures, giving text a dark, compact color that suits bold messaging.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸