Wacky Nime 10 is a very bold, normal width, medium contrast, reverse italic, normal x-height font visually similar to 'DR Krapka Rhombus' by Dmitry Rastvortsev (names referenced only for comparison).
Keywords: posters, album art, event flyers, game titles, merchandise, chaotic, playful, punk, noisy, glitchy, blackletter remix, grunge texture, attention grab, anti-polish, jagged, distressed, angular, shredded, blackletter.
A heavy, blackletter-inspired display face with aggressively jagged, shredded contours and irregular edges. Strokes are built from chunky angular facets, creating a fractured silhouette that reads as distressed rather than smooth or calligraphic. Letterforms keep a broadly Gothic structure—pointed joins, sharp terminals, and dense internal counters—while the outlines wobble and bite into themselves, producing a deliberately unstable rhythm. The texture is consistent across caps, lowercase, and numerals, with enough internal openings to keep the dense weight from fully closing up in most characters.
Best suited for high-impact display work where texture and attitude are more important than extended readability—posters, album and single covers, festival or club flyers, title cards, and bold branding moments. It can also work for short pull quotes or logos that want a Gothic reference with an intentionally corrupted, energetic finish.
The font projects a loud, unruly energy—part medieval menace, part DIY zine chaos. Its torn, vibrating edges and hard angles feel rebellious and tongue-in-cheek, turning traditional blackletter seriousness into something more mischievous and abrasive.
The design appears intended to remix classic blackletter forms into an experimental, distressed display style. By keeping the recognizable Gothic construction while roughening every contour, it aims to deliver instant historical flavor with a contemporary, chaotic edge for attention-grabbing headlines.
In text settings the irregular perimeter creates a strong dark “color” with a gritty halo, making the face more effective at larger sizes than for long passages. Spacing appears intentionally uneven and contributes to the handmade, disruptive feel, while the underlying blackletter skeleton helps maintain recognizability despite the distortion.