Sans Superellipse Laha 15 is a regular weight, very wide, low contrast, italic, normal x-height font.
Keywords: tech branding, gaming ui, sports identity, product titles, posters, futuristic, sleek, techy, sporty, friendly, modernization, speed emphasis, digital feel, rounded geometry, streamlined branding, rounded, monoline, soft-cornered, geometric, streamlined.
A rounded, monoline sans with a pronounced forward slant and generously open, superellipse-like counters. Strokes end in smooth, softened terminals, and many forms are built from rounded-rectangle geometry with consistent corner radii. Curves transition cleanly into straight segments, creating a streamlined, engineered feel; the lowercase shows compact, single-storey constructions (notably a and g), while numerals follow the same soft-rectilinear logic with clear, open shapes. Overall spacing and rhythm emphasize lateral flow, with broad proportions and wide bowls that keep the texture airy and uncluttered.
Well suited to headlines, brand marks, and short-to-medium display copy where a sleek, modern impression is desired—such as technology and esports branding, app or device UI accents, automotive-style graphics, and promotional posters. It can also work for logotypes or packaging that benefits from rounded, futuristic geometry and a strong sense of motion.
The design conveys a contemporary, speed-oriented tone—equal parts approachable and high-tech. Its rounded geometry softens the slanting, dynamic posture, resulting in an energetic but friendly voice that reads as modern, digital, and slightly automotive or sci-fi in character.
The font appears designed to merge geometric clarity with a fast, forward-leaning stance, using rounded-rectangle forms to evoke modern hardware, interfaces, and streamlined industrial design. The consistent corner rounding and monoline strokes prioritize a clean, contemporary texture while keeping the overall feel approachable rather than severe.
Diagonal joins and rounded corners are used consistently, giving the alphabet a cohesive ‘capsule’ silhouette across letters and figures. The italic angle is integral to the construction rather than an afterthought, so even simple glyphs (like I, l, and t) maintain the same flowing, forward motion.