Sans Faceted Ihgo 1 is a very light, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, tech branding, headlines, posters, wayfinding, futuristic, technical, minimal, digital, geometric, sci-fi tone, system design, interface clarity, geometric styling, monoline, angular, squared, rounded corners, modular.
A monoline, geometric sans built from straight strokes and squared counters with subtly rounded outer corners. Curves are largely replaced by planar segments, producing faceted bowls and open, rectangular apertures in letters like C, G, and S. Terminals are clean and uniform, and the construction feels modular, with consistent stroke logic across capitals, lowercase, and numerals. Spacing and rhythm read tidy and deliberate, with a slightly engineered texture in text due to the frequent right angles and simplified joins.
Well-suited for interface labels, product UI, dashboards, and other contexts that benefit from a crisp, engineered tone. It can also work effectively in headlines, posters, and tech-forward branding where a futuristic, modular look is desired. In longer passages it creates a distinctive, architectural texture that fits editorial or exhibit text when a deliberate “digital” flavor is appropriate.
The overall tone is futuristic and technical, with a calm, minimalist presence. Its faceted geometry evokes digital interfaces, sci‑fi labeling, and engineered products rather than humanist warmth. The light stroke and crisp angles give it an airy, precise feel.
The design appears intended to translate a geometric, faceted construction into a consistent, readable alphabet with minimal stroke variation. By substituting curves with angled segments and keeping terminals uniform, it aims for a clean, system-driven voice that feels at home in modern technical and speculative visual languages.
Distinctive details include a triangular, outlined A-like form in the uppercase set and squared, device-like numerals (notably 2, 3, and 5) that reinforce the systemized aesthetic. The lowercase maintains the same rectilinear logic, keeping the texture consistent between display and running text, though the angular shapes create a noticeably constructed, schematic voice.