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Free for Commercial Use

Sans Faceted Rony 1 is a light, very wide, low contrast, upright, tall x-height font.

Keywords: headlines, logotypes, branding, ui labels, posters, futuristic, technical, sleek, digital, industrial, tech aesthetic, geometric clarity, modern branding, interface feel, modular system, octagonal, angular, geometric, chamfered, modular.


Free for commercial use
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A geometric sans built from crisp strokes and faceted, chamfered corners that replace many curves with short angled segments. The letterforms read as open and airy, with generous interior counters and a wide overall footprint; round shapes (O, Q, 0) become octagonal outlines, and terminals often finish with clipped angles. Curves are minimized in favor of straight runs and planar joints, creating a clean, engineered rhythm across capitals, lowercase, and numerals. Spacing appears even and controlled, supporting a steady horizontal flow in text.

Best suited to headlines, brand marks, packaging, and tech-forward editorial where its faceted geometry can be appreciated. It also fits UI labeling, dashboards, and interface-style graphics when used at sizes large enough for the corner detailing to remain clear. For longer passages, it works most comfortably in short blocks, captions, or feature callouts where the wide stance won’t dominate line length.

The faceted construction gives the font a sci‑fi, technical tone—more machine-made than handwritten. It feels precise and contemporary, with a subtle "HUD/interface" character that suggests modern hardware, aerospace, or digital systems without becoming overtly decorative.

The design appears intended to translate a modern geometric sans into a faceted, planar system—retaining clarity and regularity while introducing chamfered joints for a distinct, engineered voice. The consistent angular treatment across rounds and terminals suggests an emphasis on modular construction and a cohesive “designed by machine” aesthetic.

Capitals skew toward squarish proportions with flat tops and long horizontals, while the lowercase keeps the same angular logic for bowls and shoulders. Diagonals are crisp and consistent (A, V, W, X, Y), and the numerals echo the same chamfered geometry for a cohesive set. The overall impression is streamlined and minimal, with distinctive corner cuts providing personality at display sizes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸