Sans Faceted Orba 6 is a regular weight, normal width, low contrast, upright, normal x-height font.
Keywords: ui labels, signage, posters, headlines, branding, techno, industrial, futuristic, utilitarian, geometric, geometric system, tech aesthetic, display impact, instrument labeling, faceted, chamfered, octagonal, monolinear, angular.
A geometric, monolinear sans with curves largely replaced by chamfered corners and straight segments, producing an octagonal, faceted construction across rounds and bowls. Strokes keep a consistent thickness with squared terminals, and diagonals are crisp and clean, giving letters a built-from-planes feel rather than drawn with smooth arcs. The lowercase follows the same angular logic, with simplified forms and compact joins; counters tend to be polygonal and open shapes stay clear even in smaller details like the 'e' and 's'. Numerals echo the same chamfered geometry, with the 0/8/9 built from straight-sided rounds and clipped corners.
Best suited to interface labeling, dashboards, wayfinding, and technical documentation headings where an engineered aesthetic supports the content. It also works well for posters, packaging, and entertainment branding (games, sci‑fi, electronic music) that benefit from an angular, faceted voice. In extended text it remains serviceable, but its distinctive polygonal rounds are most impactful in titles and short passages.
The overall tone is technical and engineered, suggesting digital interfaces, machinery labeling, and sci‑fi display styling. Its faceting adds a subtle retro-futurist flavor—more instrument-panel and arcade than humanist—while remaining orderly and readable. The consistent geometry and clipped corners convey precision and a mildly aggressive, high-tech edge.
This design appears intended to translate a neutral sans skeleton into a faceted, chamfered system, replacing curves with planar cuts for a constructed, industrial look. The consistent corner logic across the character set suggests a focus on visual coherence in display and interface contexts, where geometric clarity and a technical mood are primary goals.
The design shows a deliberate, systematized corner treatment across capitals, lowercase, and figures, which helps maintain rhythm in longer text. Round letters (like C, G, O, Q) are especially distinctive due to their polygonal outer silhouettes, and the typeface keeps a clean baseline presence with minimal ornament beyond the corner chamfers.