Font Hero

Free for Commercial Use

Sans Other Rodu 5 is a bold, narrow, monoline, upright, normal x-height font visually similar to 'Stallman' by Par Défaut (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, ui labels, techno, retro, industrial, digital, game-like, digital aesthetic, retro tech, interface mimicry, geometric systemization, angular, square, condensed, geometric, hard-edged.


Free for commercial use
Customize the font name

This typeface is built from straight, uniform strokes with squared curves and clipped corners, producing a crisp, rectilinear silhouette. Counters are boxy and tightly controlled, with a consistent stroke weight and a compact, vertically oriented build. Joins and terminals are sharply squared, and many forms rely on right angles and stepped diagonals rather than smooth curves, creating an intentionally mechanical rhythm across both upper- and lowercase. Numerals and punctuation follow the same modular, grid-like construction, keeping the texture dense and highly structured in running text.

This font works best for display applications such as headlines, posters, product branding, and packaging where an angular, tech-forward voice is desired. It can also suit short UI labels, game screens, or interface-style graphics when clarity at small sizes is not the primary requirement and the geometric texture is part of the aesthetic.

The overall tone feels technological and retro-futurist, with a distinct arcade/terminal energy. Its rigid geometry and deliberate squareness read as industrial and engineered, evoking digital displays, sci-fi interfaces, and 1980s-inspired graphic systems.

The design appears intended to translate a grid-based, digital construction into a sans letterset with consistent stroke logic and a deliberately squared character. Its forms prioritize a stylized, systemized look over conventional text comfort, aiming for a distinctive, futuristic presence.

Lowercase forms largely echo the uppercase logic, reinforcing a unified, system-like feel rather than a traditional text hierarchy. The compact apertures and squared counters create strong patterning on the line, making the design most striking when used at display sizes or where a deliberately “digital” texture is desired.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸