Sans Superellipse Asrah 3 is a very light, normal width, monoline, upright, normal x-height font visually similar to 'Absentia Sans' by DR Fonts (names referenced only for comparison).
Keywords: ui labels, app design, brand systems, headlines, signage, clean, modern, techy, friendly, minimal, clarity, modernization, soft geometry, neutrality, system coherence, rounded, soft corners, geometric, airy, open apertures.
A clean monoline sans with a geometric skeleton and noticeably rounded, superellipse-like curves. Terminals are smoothly finished and corners are softened throughout, giving letters a rounded-rectangle flavor rather than purely circular bowls. Proportions feel open and spacious, with generous counters and restrained contrast, producing a light, airy texture in text. The lowercase shows a single-storey a and g, a compact-shouldered r, and simplified forms that keep rhythm even and uncluttered; figures follow the same rounded, linear construction for consistent color across mixed text.
Well-suited to UI labels, navigation, and product typography where a light, crisp presence and friendly geometry are desired. Its open counters and simplified lowercase also make it a good option for contemporary branding, short headlines, and clean signage where a soft, modern tone is appropriate.
The overall tone is modern and approachable, combining a technical neatness with soft, friendly curvature. It reads as calm and unobtrusive, with a contemporary, interface-forward feel rather than editorial or expressive personality.
The font appears designed to provide a sleek, contemporary sans optimized for clarity and consistency, pairing geometric structure with softened corners to avoid a harsh, purely mechanical feel. The intention seems to be a versatile workhorse for modern digital and brand contexts that benefits from a gentle, rounded character.
The design favors clear, simplified joins and broad radii, which helps maintain consistency at larger sizes and gives headings a polished, product-like finish. Curved characters (C, G, O, Q, S) emphasize the superellipse geometry, while straight-sided forms (E, F, H, L, T) keep the overall voice disciplined and minimal.