Cursive Tuja 10 is a regular weight, narrow, high contrast, italic, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, romantic, expressive, refined, classic, signature feel, formal script, decorative caps, handwritten elegance, swashy, looping, calligraphic, slanted, monoline accents.
A flowing script with a consistent rightward slant and pronounced thick–thin modulation that suggests a pointed-pen or brush-pen influence. Letterforms are narrow and fast-moving, with long entry/exit strokes and frequent looped terminals that create an airy, continuous rhythm in words. Capitals are larger and more gestural, often built from sweeping strokes and soft curves rather than rigid geometry, while lowercase forms stay compact with a relatively low x-height and tall ascenders/descenders. Overall spacing is tight and the stroke endings taper cleanly, giving the shapes a polished, handwritten finish.
Well suited to wedding suites, invitations, greeting cards, and other ceremonial stationery where flourish is welcome. It also fits boutique branding, beauty/fashion packaging, and short headline treatments on posters or social graphics. For best results, use at display sizes where the contrast and looping details can remain clear.
The font conveys a romantic, upscale handwriting tone—graceful and personal rather than casual. Its swashes and high-contrast strokes read as celebratory and stylish, suited to situations where a sense of craftsmanship and elegance is desired.
The design appears intended to emulate refined cursive handwriting with calligraphic contrast, balancing smooth connectivity with expressive swashes. It prioritizes a graceful, signature-like presence and decorative capitals to create a premium, personal feel in display typography.
In running text the connecting strokes and narrow proportions produce a lively, slightly dramatic texture, with occasional exuberant loops on letters like g, y, and capitals adding emphasis. Numerals follow the same slanted, handwritten logic and feel integrated with the letterforms rather than purely utilitarian.