Sans Superellipse Suwi 13 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'First Prize' by Letterhead Studio-VG and 'Interrupt Display Pro' by T4 Foundry (names referenced only for comparison).
Keywords: posters, headlines, signage, branding, packaging, industrial, retro, assertive, technical, condensed, high impact, space saving, signage clarity, modular system, rectilinear, square-shouldered, ink-trap-like, beveled terminals, modular.
A condensed, heavy sans built from squared, superelliptical modules and tight internal counters. Strokes are largely uniform, with subtle tapers and notch-like cut-ins that create an ink-trap feel at joins and corners. Curves resolve as rounded-rectangle corners rather than true ovals, giving C/G/O and numerals a boxy, engineered rhythm. Terminals are mostly flat and blunt, with occasional angled breaks (notably in diagonals like V/W/X and the spur-like details in S and 2), producing a crisp, machined silhouette. Spacing reads compact and disciplined, and the tall lowercase proportions keep the texture dense and vertical.
Best suited for short-to-medium display settings where impact and compact width matter: posters, headlines, labels, packaging, and bold brand marks. It can also work for signage or UI callouts when a strong, technical voice is desired, though the dense texture suggests avoiding long paragraphs.
The overall tone is bold and no-nonsense, with a utilitarian, industrial flavor. Its squared curves and clipped details evoke signage, equipment labeling, and retro-futuristic display typography, projecting strength and control rather than softness or playfulness.
The design appears intended to deliver maximum presence in a condensed footprint while maintaining clear counters through strategic notches and squared curvature. Its modular construction suggests a deliberate, system-like approach aimed at strong legibility and a distinctive industrial character in display typography.
Uppercase forms lean toward monolinear, rectangular construction, while several glyphs introduce distinctive cut corners and internal notches that help preserve openings at small sizes. The figures are similarly boxy and sturdy, with straight-sided bowls and angular joins that maintain a consistent, modular look across text and numerals.