Solid Koza 2 is a very bold, wide, medium contrast, upright, normal x-height font.
Keywords: posters, headlines, logo marks, packaging, album covers, brutalist, industrial, aggressive, playful, futuristic, impact, ruggedness, distinctiveness, texture, chunky, blocky, rounded corners, angular cuts, stencil-like.
A heavy, block-driven display face with mostly rectangular silhouettes and softened, rounded corners. Counters and apertures are frequently collapsed or reduced to small, irregular slits, creating a solid, massy texture. Many strokes show sharp, wedge-like cut-ins and notch details that feel carved rather than drawn, producing a jagged internal rhythm within otherwise broad, simple forms. The overall construction leans geometric and monoline in impression, with exaggerated bulk and tightly contained interior space that favors impact over clarity at small sizes.
Best suited to short, high-impact settings such as posters, headlines, titles, and bold branding moments where texture and attitude matter more than fine readability. It can work well on packaging or entertainment collateral when paired with generous tracking and ample size to preserve character differentiation.
The font projects a tough, urban energy with a hint of sci-fi machinery—part concrete signage, part cut-metal stencil. Its irregular internal cuts add a mischievous, disruptive character, making the tone feel assertive and slightly chaotic rather than polished or elegant.
The design appears intended to maximize visual mass while injecting personality through carved-in notches and slit counters, creating a distinctive, industrial display voice. By collapsing interiors and emphasizing chunky geometry, it prioritizes punchy silhouette recognition and a rugged, constructed feel.
Letterforms maintain a consistent, weighty footprint, but the interior nicks and slashes vary from glyph to glyph, giving the face a deliberately distressed, hand-cut feel. The dense fills and minimized counters can cause characters with similar silhouettes to converge visually, especially in longer text lines.