Script Lirad 10 is a light, normal width, high contrast, italic, short x-height font.
Keywords: wedding, invitations, branding, packaging, headlines, elegant, romantic, classic, refined, formal, formality, decoration, calligraphy, ceremony, signature look, swashy, calligraphic, looped, flourished, delicate.
A flowing cursive with a consistent rightward slant and crisp, high-contrast strokes that mimic pointed-pen calligraphy. Letterforms are narrow-to-moderate in footprint with generous ascenders and descenders, creating a tall, airy vertical rhythm. Uppercase characters feature prominent entry/exit swashes, looped bowls, and occasional teardrop terminals, while lowercase forms stay more restrained but remain smoothly connected in text. Curves are clean and controlled, and spacing is moderately open for a script, helping the joins read clearly despite the fine hairlines.
Best suited to display settings such as wedding suites, formal invitations, certificates, event collateral, and boutique branding where decorative initials can shine. It also works well for short headlines, product names, and packaging accents, especially when paired with a simple serif or sans for supporting text.
The overall tone is formal and polished, with a romantic, invitation-like flair driven by its sweeping capitals and delicate stroke modulation. It reads as classic and celebratory rather than casual, suggesting ceremony, etiquette, and crafted presentation.
The design appears intended to capture a refined, hand-lettered look with strong calligraphic contrast and expressive capitals, prioritizing elegance and ceremony over dense, small-size readability. Its controlled joins and relatively open spacing aim to keep cursive words legible while still delivering a distinctly ornamental signature.
Capitals carry much of the personality through large initial swashes that can extend beyond the body of the word, so line spacing and headline setting benefit from a bit of extra room. Numerals are similarly calligraphic and slanted, aligning visually with the letterforms rather than appearing like separate, text-face figures.