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Free for Commercial Use

Inline Byda 10 is a very bold, narrow, low contrast, upright, normal x-height font visually similar to 'Acumin' by Adobe, 'Kuunari Rounded' by Melvastype, 'Grand' by North Type, and 'Hype Vol 1' by Positype (names referenced only for comparison).

Keywords: posters, headlines, logos, signage, sports, retro, industrial, sporty, playful, bold, high impact, vintage flavor, space saving, built-in detail, signage ready, condensed, rounded, inline, outlined, blocky.


Free for commercial use
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A condensed, heavy display face built from blocky letterforms with rounded outer corners and a consistent, squared-off construction. The strokes are predominantly uniform, with an inset inline channel that reads as a cut-through detail running inside the black shapes, giving the characters a layered, dimensional look. Counters are tight and geometric, terminals are blunt, and curves are simplified into rounded rectangles. Spacing appears compact and the overall rhythm is vertical and sturdy, emphasizing tall proportions and strong silhouette contrast against the page.

Best suited for display settings where impact and personality matter: posters, headlines, packaging callouts, event flyers, and brand marks. It also works well for signage and sports or team-inspired graphics where a sturdy condensed look and the inline detail can carry visual interest without additional decoration.

The inline cut creates a classic sign-painter and vintage poster energy, combining toughness with a slightly playful, arcade-like attitude. It feels assertive and attention-seeking, with a nostalgic flavor that suggests mid‑century advertising, sports lettering, and bold retail signage.

The design appears intended to deliver maximum presence in a compact width while adding built-in ornament through an internal inline cut. It aims to evoke vintage display typography and practical sign lettering, offering a strong silhouette plus a decorative interior line for instant character.

The inline treatment stays consistent across caps, lowercase, and figures, helping long lines of text keep a cohesive texture even at large sizes. Numerals and uppercase forms are especially impactful, while the condensed build can make dense settings feel packed and punchy.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸