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Slab Contrasted Tymu 3 is a very bold, normal width, medium contrast, upright, normal x-height font visually similar to 'Acreva' by Andfonts, 'ITC Pacella' by ITC, 'Ysobel' by Monotype, and 'Felice' by Nootype (names referenced only for comparison).

Keywords: headlines, posters, packaging, signage, mastheads, assertive, vintage, editorial, collegiate, industrial, display impact, heritage tone, signage strength, editorial voice, bracketed, serifed, chunky, ink-trap feel, compact.


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A heavy, serifed design with prominent slab-like terminals and mostly bracketed joins, giving the outlines a carved, poster-ready solidity. Strokes show noticeable contrast for such a dark weight, with rounded inner corners and occasional small notches that create an ink-trap-like bite at tight joins. Counters are relatively tight and the overall rhythm is compact, with sturdy verticals and broad, stable serifs that help keep shapes grounded at large sizes. The lowercase is robust and slightly more compact than the caps, and the numerals share the same thick, old-style sturdiness and wide-footed bases.

Best suited to display typography such as headlines, posters, packaging, and signage where its dense color and sturdy serifs can carry impact. It also fits editorial mastheads and branding that want a classic, industrial or collegiate flavor, especially when set with ample spacing for clarity.

The tone is bold and declarative, reading as vintage and editorial with a hint of collegiate signage. Its weight and slabby details feel confident and workmanlike, while the bracketing and soft corners add a friendly, familiar warmth rather than a sharp, modern bite.

The design appears intended to deliver maximum presence with a traditional slab-serif backbone, balancing rugged, signage-like weight with softened, bracketed details for approachability. It aims for a classic display voice that remains structured and legible while projecting authority and heritage character.

In the text sample, the strong serifs and dense color produce high impact, especially in headline settings; at smaller sizes the tight counters and heavy joins may call for generous tracking and leading to keep texture open. The glyphs maintain a consistent, sturdy silhouette across capitals, lowercase, and figures, supporting a cohesive typographic voice.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸