Serif Other Pefu 2 is a regular weight, very narrow, low contrast, upright, normal x-height font.
Keywords: headlines, editorial, book covers, posters, programs, vintage, literary, theatrical, quirky, classic, compact text, distinct voice, period flavor, editorial tone, display accent, condensed, bracketed serifs, flared terminals, wedge serifs, ink-trap like notches.
A condensed serif with gently flared, bracketed terminals and low stroke modulation. The texture is compact and rhythmic, with tall ascenders/descenders and tight letterforms that create an economical, column-friendly color. Serifs read as small wedges or soft hooks rather than hard slabs, and many joins and terminals have subtly rounded, ink-trap-like notches that add a crafted, slightly antique feel. Overall proportions favor verticality, with a consistent, even cadence across the alphabet and numerals.
Works well for editorial headlines, subheads, book jackets, and poster titling where a narrow serif can conserve space while still feeling expressive. It can also serve in short-to-medium text passages—pull quotes, sidebars, menus, or programs—especially when a slightly antique, curated look is desired. The numerals match the condensed rhythm, making it suitable for dates, chapter markers, and compact informational lines.
This typeface gives off a lightly vintage, bookish tone with a hint of idiosyncratic charm. Its narrow stance and softened, slightly quirky serif details feel literary and old-world rather than corporate, suggesting a voice that is thoughtful, a bit theatrical, and intentionally distinctive.
The design appears intended to pack text into a tight horizontal measure while retaining a traditional serif voice. Its condensed proportions and controlled contrast support readability at moderate sizes, while the unusual terminal shaping and small notches introduce a recognizable personality suited to headings and editorial styling.
The sample text shows a strong vertical rhythm with narrow bowls and counters that stay open enough for legibility, while the terminals and serifs contribute a subtly “printed” character. The overall impression is consistent across uppercase, lowercase, and figures, with a cohesive, intentionally stylized finish.