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Free for Commercial Use

Blackletter Ilmi 4 is a bold, normal width, high contrast, upright, normal x-height font.

Keywords: headlines, posters, book titles, packaging, certificates, medieval, gothic, dramatic, ceremonial, authoritative, historical evocation, decorative display, dramatic branding, manuscript feel, ceremonial tone, angular, ornate, calligraphic, flared, sharp.


Free for commercial use
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This typeface presents an angular, calligraphic blackletter structure with broken curves and pronounced wedge-like terminals. Strokes transition between thick verticals and razor-thin connecting hairlines, creating a crisp, faceted rhythm. Counters are compact and often partially enclosed by pointed joins, while many characters show subtle entry/exit flicks that suggest a broad-nib influence. Overall spacing feels measured but irregular enough to retain a hand-wrought texture, with capitals carrying broader, more embellished silhouettes than the lowercase.

Best suited to display typography such as headlines, posters, book or album titles, and thematic branding where a historical or gothic atmosphere is desired. It can also work well for packaging, labels, invitations, and certificate-style layouts that benefit from a formal, ornamental voice. For extended reading, larger sizes and generous line spacing will help preserve clarity.

The font conveys a medieval, ceremonial tone with a stern, dramatic presence. Its sharp joins and dark vertical emphasis feel formal and authoritative, while the handcrafted irregularities add an archaic, storybook flavor. The overall impression is decorative and theatrical rather than neutral or utilitarian.

The design appears intended to evoke traditional blackletter manuscript and early print aesthetics through broken strokes, pointed terminals, and a bold, high-contrast texture. It prioritizes atmosphere and historical character over minimalist legibility, offering distinctive word shapes and emphatic capitals for impactful titling and identity work.

The sample text shows strong word-shape contrast driven by tall verticals and distinctive, angular bowls, which helps recognition at display sizes but can become dense in long passages. Numerals follow the same broken-stroke logic, appearing stylized and integrated with the letterforms rather than purely functional lining figures.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸