Sans Superellipse Osgor 7 is a bold, normal width, low contrast, upright, normal x-height font visually similar to 'Bunday Sans' by Buntype, 'Poynter Gothic' by Font Bureau, 'Florin Sans' by Fonts With Love, 'Neusa Neu' by Inhouse Type, 'Akwe Pro' by ROHH, and 'Centima' and 'Centima Pro' by TipografiaRamis (names referenced only for comparison).
Keywords: headlines, branding, ui labels, packaging, posters, modern, confident, friendly, utilitarian, clean, clarity, modernization, approachability, system coherence, impact, rounded corners, soft terminals, geometric, compact, high legibility.
A sturdy sans with squared-off, superellipse-style curves and consistently rounded corners. Strokes are heavy and even, with minimal contrast and a compact, efficient silhouette that stays clear at larger display sizes. Round letters take on a rounded-rectangle feel (notably in bowls and counters), while joins and terminals remain smooth and controlled rather than sharp. Uppercase forms are broad and stable; lowercase is straightforward with a simple, single-storey "a" and a clean, open "e". Numerals follow the same blocky, softened geometry, producing a uniform rhythm across letters and figures.
Well suited to headlines, short paragraphs, and product or brand typography where a strong, clean voice is needed. The compact, even texture and softened geometry also work well for interface labels, signage-style layouts, and packaging that benefits from clear shapes and a contemporary presence.
The overall tone is modern and matter-of-fact, with a friendly softness from the rounded corners. It reads as confident and practical rather than expressive, suggesting clarity and approachability without feeling playful or casual.
The font appears designed to deliver a robust, highly legible sans voice built from rounded-rectangle geometry. Its intention is to combine a strong, modern stance with softened edges for approachability and consistent, system-like cohesion across letters and numerals.
The design balances geometric construction with enough openness in counters to keep dense text from clogging. The rounded-rectangle logic is especially noticeable in curved letters and the shaping of the "O"/"0" and bowls, giving the face a cohesive, contemporary system feel.