Sans Superellipse Onnih 3 is a regular weight, wide, monoline, upright, normal x-height font visually similar to 'Kabyta' by Agny Hasya Studio, 'Lustra Text' by Grype, 'Sqwared' by Monotype, 'Hype vol 2' by Positype, and 'Cobe' by Stawix (names referenced only for comparison).
Keywords: ui text, app design, signage, branding, packaging, tech, futuristic, clean, systematic, friendly, interface clarity, modern branding, geometric consistency, friendly tech, rounded, geometric, squared-round, soft corners, high legibility.
A geometric sans built from rounded-rectangle and superelliptical forms, with consistently softened corners and largely uniform stroke thickness. Curves resolve into squarish bowls rather than true circles, giving letters like O/C/G and the numerals a compact, engineered feel. Terminals are clean and blunt, counters are open, and spacing reads even and deliberate, producing a steady, contemporary rhythm in both caps and lowercase.
Well suited to user interfaces, dashboards, and product typography where clarity and a controlled geometric texture are priorities. The wide, rounded forms also work effectively in signage and labeling, and can support modern brand systems and packaging that want a clean, tech-forward impression. It performs best where its distinctive squared-round curves can be part of the visual identity.
The overall tone feels modern and technical, like interface typography with a friendlier edge. Rounded corners and squarish curves soften the geometry, balancing a utilitarian, engineered voice with approachability. It suggests digital products, wayfinding, and forward-looking branding rather than classical or editorial typography.
The design appears intended to merge geometric discipline with softened, rounded corners for a contemporary, screen-native look. By using superelliptical construction and uniform strokes, it prioritizes consistency and legibility across mixed-case text and numerals. The result is a practical sans that still carries a recognizable, modern character.
Distinctive superelliptical shapes show up repeatedly in bowls and corners, creating a strong family resemblance across letters and numerals. The design stays restrained—minimal contrast, no calligraphic influence—so texture remains consistent in paragraphs and headlines. Numerals share the same squared-round logic, helping mixed alphanumeric strings look cohesive.