Sans Superellipse Daki 5 is a very light, wide, low contrast, upright, tall x-height font.
Keywords: ui labels, tech branding, wayfinding, posters, packaging, futuristic, technical, minimal, clean, digital, systematic, modernization, interface clarity, geometric unity, digital tone, monoline, squared, rounded corners, geometric, modular.
A monoline geometric sans with a squared, rounded-rectangle construction throughout. Curves resolve into smooth corner radii rather than true circles, producing superelliptical bowls and counters. Strokes are consistently thin with minimal modulation, and joins are clean and engineered, often using straight segments that meet at softened corners. Proportions feel open and airy, with generous internal space and a relatively tall lowercase presence; overall spacing reads even and deliberate, contributing to a tidy, grid-like rhythm in text.
Well-suited to interface typography, dashboards, and product labeling where a modern, engineered aesthetic is desired. It can also work in tech-forward branding, editorial display lines, and signage that benefits from a clean, geometric voice. The thin, open construction favors larger sizes or high-contrast settings where its delicate strokes remain clear.
The design conveys a crisp, contemporary tone with a distinctly digital and technical character. Its rounded-square geometry suggests interfaces, instrumentation, and modern industrial design, giving it a controlled, forward-looking feel rather than a casual or expressive one.
The font appears designed to translate a rounded-rectangular, superelliptical geometry into a consistent alphabet, prioritizing system-like coherence and a contemporary digital mood. Its restrained stroke treatment and softened corners aim to balance precision with approachability, making it feel both technical and refined.
Many glyphs emphasize right angles and softened terminals, creating a cohesive modular system across caps, lowercase, and numerals. Diagonals are used sparingly and cleanly (notably in A, K, V, W, X, Y, Z), contrasting with the font’s dominant orthogonal structure. Numerals follow the same rounded-rectilinear logic, reinforcing a unified voice across alphanumerics.