Print Ibmus 6 is a very bold, narrow, low contrast, upright, normal x-height font.
Keywords: posters, packaging, kids, headlines, stickers, playful, friendly, quirky, casual, youthful, hand lettering, approachability, whimsy, bold impact, casual branding, rounded, chubby, bouncy, marker-like, soft terminals.
A compact, hand-drawn all-caps-and-lowercase design with thick, rounded strokes and softly blunted terminals. Letterforms are upright overall but intentionally irregular, with uneven curves and slight wobbles that keep the texture lively. Counters are small and rounded, and joins tend to be bulbous, giving the shapes a chubby silhouette. Spacing and widths vary from glyph to glyph, creating a bouncy rhythm that reads like a confident marker or brush pen line rather than a rigid geometric construction.
Works best for short, high-impact text such as posters, product packaging, labels, stickers, and social graphics where a friendly handmade feel is desired. It also suits children’s materials and casual branding moments where warmth and approachability matter more than typographic neutrality. For body text, it’s most effective at larger sizes with comfortable leading.
The font conveys a warm, lighthearted tone with a homemade, approachable character. Its chunky shapes and gentle imperfections feel informal and personable, leaning toward whimsical rather than refined. The overall voice is energetic and friendly, suitable for messages that want to feel human and upbeat.
Likely designed to mimic bold hand lettering with a marker-like stroke, prioritizing personality and immediacy over strict uniformity. The goal appears to be an informal display face that stays legible while retaining the charm of drawn shapes and lively spacing.
Uppercase and lowercase share a consistent hand-rendered logic, with simplified forms and occasional idiosyncratic details (notably in curved letters and diagonals). Numerals follow the same rounded, thick treatment for a cohesive texture in mixed text. The heavy stroke and tight internal spaces can make longer passages feel dense, while headings remain clear and characterful.