Sans Superellipse Jeka 2 is a very bold, narrow, medium contrast, upright, tall x-height font visually similar to 'Dez Squeeze Pro' by Dezcom, 'Asimov Sans' by Fonthead Design, 'Odradeck' by Harvester Type, 'Recumba' by Pixesia Studio, 'Motte' by TypeClassHeroes, and 'Robson' by TypeUnion (names referenced only for comparison).
Keywords: headlines, posters, signage, packaging, logos, industrial, posterish, compressed, retro, assertive, maximize impact, save space, signage voice, retro modern, blocky, rounded corners, condensed, high impact, stencil-like.
A compact, heavy display sans built from rounded-rectangle (superellipse) geometry. Strokes are thick and fairly uniform, with softened corners and minimal modulation, giving counters a pill-shaped, engineered feel. Proportions are tightly condensed with tall, straight-sided verticals and short horizontal terminals; curves are squared-off rather than circular. Apertures and counters are narrow and deep, and several joins create small interior notches/slits that add a slightly cut or stenciled texture. Spacing reads tight and rhythmic, optimizing for dense, vertical emphasis in headlines.
Best suited to large-size applications where maximum impact and a compact footprint are needed, such as posters, headlines, signage, packaging, and logotypes/wordmarks. It can work for short subheads or labels, but extended reading in small sizes may feel dark and compressed due to tight counters and spacing.
The overall tone is forceful and utilitarian—like labeling, signage, or bold packaging typography—while the rounded corners keep it from feeling sharp or aggressive. Its compressed stance and chunky forms also suggest a retro-industrial display flavor suited to impactful statements.
The design appears intended to deliver high visual punch in a narrow width, using superelliptical construction and rounded corners to balance an industrial, blocky mass with a clean, modern finish. The small internal cuts and narrow apertures add texture and distinction without introducing decorative flourishes.
Round letters such as O/Q read as tall rounded rectangles, and the figure set follows the same condensed, monoline, rounded-corner logic. The lowercase maintains strong presence with simplified shapes and tight apertures, keeping color very dark in text lines and making small sizes feel dense.