Sans Superellipse Embog 10 is a regular weight, normal width, low contrast, italic, normal x-height font visually similar to 'Faculty' by Device, 'FF Transit' by FontFont, 'Allotrope' by Kostic, 'Interval Next' and 'Metronic Pro' by Mostardesign, 'Nuno' by Type.p, and 'Ranelte' by insigne (names referenced only for comparison).
Keywords: headlines, branding, posters, sportswear, product ui, sporty, dynamic, modern, technical, clean, convey speed, modernize geometric sans, soften geometry, add energy, oblique, rounded, soft corners, streamlined, open counters.
A slanted, low-contrast sans with softened corners and superellipse-like curves that keep rounds compact and controlled. Strokes are smooth and largely monolinear, with tapered joins and a forward-leaning rhythm that emphasizes motion. The uppercase is sturdy and slightly condensed in feel, while the lowercase shows a contemporary, simplified construction with open apertures and rounded terminals. Numerals are clean and utilitarian, matching the same rounded-rectangle geometry and consistent stroke behavior.
Well-suited to headlines, subheads, and short bursts of copy where an energetic oblique voice is desirable. It can work effectively in branding systems, sports and lifestyle graphics, and product or interface typography where a modern, rounded sans tone is needed. For longer reading, it will likely be strongest in larger sizes where the slant and compact rounds stay crisp and comfortable.
The overall tone feels fast, efficient, and contemporary, with a subtle industrial or athletic energy. Rounded geometry keeps it approachable, while the oblique stance adds urgency and momentum suitable for modern branding and interface-forward design.
The design appears intended to combine a modern, geometric sans foundation with softened superellipse forms and a built-in sense of speed. The goal seems to be a versatile italic display voice that reads cleanly while projecting motion and contemporary polish.
Curves favor squarish rounds (especially in bowls and counters), giving the type a distinctive “soft-rectangular” silhouette. The italic angle is consistent across caps, lowercase, and figures, and the shapes maintain clear differentiation at display sizes without relying on high contrast or ornament.