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Free for Commercial Use

Sans Normal Osrog 5 is a very bold, normal width, low contrast, upright, normal x-height font visually similar to 'FF Kievit' and 'FF Milo' by FontFont, 'Whitney' by Hoefler & Co., 'MVB Solitaire Pro' by MVB, 'Adagio Sans' by Machalski, 'Mundo Sans' by Monotype, and 'Malik' by Zetafonts (names referenced only for comparison).

Keywords: headlines, posters, branding, packaging, signage, confident, friendly, modern, playful, impact, approachability, display clarity, modern tone, rounded, soft terminals, bulky, compact, high impact.


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A heavy, rounded typeface with broad, compact letterforms and smooth, low-modulation strokes. Curves are generously inflated (notably in C, G, O, S) while joins and corners are softened, producing a sturdy, cushiony silhouette. Counters are relatively tight for the weight, and apertures tend to be modest, which reinforces a dense, poster-like texture in text. The lowercase shows simple, robust constructions with rounded bowls and short, thick arms, and the numerals follow the same solid, geometric rhythm with large closed shapes and minimal detailing.

Best suited to headlines and display settings where strong presence and quick recognition are needed, such as posters, branding marks, packaging, and short promotional copy. It can work for signage or UI callouts at moderate-to-large sizes where its dense color and rounded forms remain clear.

The overall tone is bold and approachable, projecting a contemporary, upbeat character rather than a formal or technical one. Its rounded geometry and thick strokes lend a friendly warmth, while the compact proportions keep it assertive and attention-grabbing.

Designed to deliver maximum impact with a friendly, rounded voice, balancing modern geometric structure with softened terminals for a more welcoming feel. The aim appears to be a versatile display sans that stays readable while prioritizing bold personality.

Spacing and rhythm read as tight and punchy in continuous text, with strong dark color and clear, consistent curves. The forms favor smooth continuity over sharp articulation, so small-size settings may feel dense, while larger sizes emphasize the playful, chunky shapes.

Letter — Basic Uppercase Latin
A
B
C
D
E
F
G
H
I
J
K
L
M
N
O
P
Q
R
S
T
U
V
W
X
Y
Z
Letter — Basic Lowercase Latin
a
b
c
d
e
f
g
h
i
j
k
l
m
n
o
p
q
r
s
t
u
v
w
x
y
z
Number — Decimal Digit
0
1
2
3
4
5
6
7
8
9
Letter — Extended Uppercase Latin
À
Á
Â
Ã
Ä
Å
Æ
Ç
È
É
Ê
Ë
Ì
Í
Î
Ï
Ñ
Ò
Ó
Ô
Õ
Ö
Ø
Ù
Ú
Û
Ü
Ý
Ć
Č
Đ
Ė
Ę
Ě
Ğ
Į
İ
Ľ
Ł
Ń
Ő
Œ
Ś
Ş
Š
Ū
Ű
Ų
Ŵ
Ŷ
Ÿ
Ź
Ž
Letter — Extended Lowercase Latin
ß
à
á
â
ã
ä
å
æ
ç
è
é
ê
ë
ì
í
î
ï
ñ
ò
ó
ô
õ
ö
ø
ù
ú
û
ü
ý
ÿ
ć
č
đ
ė
ę
ě
ğ
į
ı
ľ
ł
ń
ő
œ
ś
ş
š
ū
ű
ų
ŵ
ŷ
ź
ž
Letter — Superscript Latin
ª
º
Number — Superscript
¹
²
³
Number — Fraction
½
¼
¾
Punctuation
!
#
*
,
.
/
:
;
?
\
¡
·
¿
Punctuation — Quote
"
'
«
»
Punctuation — Parenthesis
(
)
[
]
{
}
Punctuation — Dash
-
_
Symbol
&
@
|
¦
§
©
®
°
Symbol — Currency
$
¢
£
¤
¥
Symbol — Math
%
+
<
=
>
~
¬
±
^
µ
×
÷
Diacritics
`
´
¯
¨
¸