Print Holey 13 is a bold, normal width, low contrast, italic, normal x-height font visually similar to 'Aspira' by Durotype, 'Lyu Lin' by Stefan Stoychev, and 'TT Hoves Pro' by TypeType (names referenced only for comparison).
Keywords: posters, headlines, packaging, kids projects, social graphics, playful, friendly, casual, lively, youthful, warmth, informality, approachability, energy, handmade feel, rounded, bouncy, hand-drawn, chunky, soft corners.
A chunky, slanted hand-drawn style with rounded terminals and softly squared curves that keep the texture approachable rather than sharp. Strokes are heavy and fairly even, with subtle wobble and pressure variation that reads as marker-like. Proportions are slightly irregular and the letterforms have a bouncy rhythm, with generous internal counters and open shapes that help maintain clarity at display sizes. The lowercase shows simple, single-storey constructions and a compact, upright-to-leaning structure that feels quick and informal.
Works best for short, high-impact text such as posters, headlines, product packaging callouts, and social media graphics where the hand-drawn warmth is a feature. It also suits kid-oriented materials, casual branding, and informal signage, especially when set in larger sizes where the lively stroke texture can be appreciated.
The overall tone is upbeat and conversational, like handwritten signage or a friendly note. Its buoyant shapes and soft corners give it a warm, comedic energy that leans toward kid-friendly and lighthearted messaging.
Likely designed to deliver an approachable, hand-lettered voice with bold presence and easy readability, prioritizing personality and spontaneity over geometric precision. The consistent heaviness and rounded shapes suggest a focus on friendly display typography that feels human and energetic.
Uppercase forms are compact and sturdy with rounded joins, while the numerals share the same soft, hand-rendered character and uneven liveliness. The slant and uneven widths create a strong sense of motion, so spacing and line breaks benefit from a little breathing room in longer settings.